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Action Figures Masters of the Universe

Figure Friday – Masterverse New Eternia Sy-Klone

There’s a lot to be upset about in the world today, but at least for the moment ridiculous dorks like me who buy too many action figures still have a lot to smile about. This summer we’ll be in the FOURTH year of having at least two entirely separate retail lines of figures based on He-Man and his friends, something that seemed unthinkable in the late 2000s and the 2010s, when He-Man seemed doomed to be relegated to an overpriced boutique line for adult collectors that I always thought had an air of being both a little stodgy and slightly embarrassed about itself. I did feel a little bad back in the late ’00s and early 2010s about not being able to really buy into the Masters of the Universe Classics line, but there did always seem something drab, and dare I say it, anti-fun about the line — like the objects of worship of the world’s most boring cult and also a line of commemorative plates, if that makes any sense. But it also at the time looked like the only way we’d ever get new figures for all these wild and woolly characters across the vast scope of the classic He-Man line and its spin-offs and sequels, so I did want at least some of them. I daresay, though, the old line feels a bit surplus to requirements here in 2025, where I now have two action figures manufactured within this decade of Evil Horde member Leech and a third on pre-order.

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Movies Review

REVIEW – Captain America: Brave New World

Well, bless Marvel, even with diminished attendance and reviewers increasingly booing their efforts, they just keep on working to build their little narratives, piece by piece, film by film. The latest installment of the soap opera of the Marvel Cinematic Universe, directed by Julius Onah (whose most notable flick ’til now was the third CLOVERFIELD movie, the one that was on Netflix), picks up several ongoing threads from prior projects, including a few long-thought to be dropped, and seeks to provide some resolutions while moving other pieces forward towards the next big finale on the roadmap.

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Action Figures Marvel Legends

Figure Friday – Across the Spider-Verse Spider-Gwen Ver. 2

One of the more surprising waves of Marvel Legends action figures in 2024 was a second wave of Across the Spider-Verse figures based on the summer 2023 film. Despite racking up a healthy box office, I feel like the minute it was revealed that its sequel, the intended concluding chapter of this multiversal animated Spider-saga, was going to miss its overly optimistic release date, that kinda let the air out of these movies’ tires and folks just stopped talking about them. (I could be wrong on that, I swear that’s the vibe I got.) And yet, it was very cool to see new figures for characters who didn’t get one before — Pavitr Prabhakar (Spider-Man India) and shock villain Miles G. Morales (his universe’s Prowler) got nifty whole-new-sculpt figures with dazzling detail … which I didn’t buy. No, me, I bought a couple of the reruns, including the focus of this week’s figure post: yet another Gwen Stacy Spider-Woman.

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Movies Review

REVIEW – Companion

Our story opens five minutes into the future, where young-ish Josh (Jack Quaid) and his beautiful girlfriend Iris (Sophie Thatcher) are driving up to a very secluded “cabin” in the woods — more like a rich guy’s personal resort — for a weekend with his friends, one of whom is dating the cabin’s vaguely sinister Russian owner Sergey (Rupert Friend, hamming it up with the accent). After a fun but occasionally awkward night of drinking and dancing with his pals, Josh and Iris HAD planned on going out to the lake together the next morning, but he says he’s got a hangover and sends her on ahead. Well, when she gets there Sergey first subtly and then FORCEFULLY tries to have his way with her. Iris defends herself, and … well, that lights the fuse that blows up the whole weekend.

Categories
Movies Review

REVIEW – The Brutalist

Always a bit amazed when the three-hour-plus Oscar-bait turns up at the local cinema, especially one with a (brief) overture and a fifteen-minute intermission. Brady Corbet’s multiple award-nominated period drama stars Adrien Brody as architect — gee, I wonder what style of buildings he designs — and Holocaust survivor László Tóth, who is trying to make a new life for himself in late ’40s America. The bulk of the narrative concerns him getting pulled into the orbit of a wealthy benefactor played by Guy Pearce, who wants László to design a massive multi-purpose public building in his late mother’s name; László is also trying to secure passage to America for his wife (Felicity Jones) and niece (Raffey Cassidy). It feels like THE BRUTALIST is engineered to win a game of Oscar-bait Bingo: on top of the protagonist and his wife being Holocaust survivors, there’s also a drug addiction narrative, multiple sex scenes, a frank conversation about antisemitism that also felt like it could be applied to anti-immigrant feeling altogether, and an underlying theme about the power and peril of an artist holding to their truest vision. Certainly not regretting seeing it, the performances are all outstanding — it’s nice to see Guy Pearce in movies again, I think especially as a rich dickhead; he’s very convincing with both the polite and charming front and the “telling it like it is” douchebaggery — and it’s beautifully shot and cleverly constructed with either genuine or convincing recreations of mid-century shorts talking up what a great place Pennsylvania is, but eventually I really did feel the runtime. At some point ’round the middle of the back half I wondered, “if the building doesn’t get finished, how much more of this guy’s misery are we going to have to sit through?” Worth seeing, I’d say, but do get up and walk around during the intermission and maybe have some cheerier entertainment on deck for once it’s over.