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Movies Review

REVIEW – Beetlejuice Beetlejuice

There’s so many ways this could have gone spectacularly wrong. Decades-later sequels are a mixed bag, and before this I couldn’t remember the last Tim Burton movie I loved. So I’m happy to report this was an absolute blast. Thirty-some years following the events of the original ’88 film, former goth teen Lydia Deetz (Winona Ryder) is the host of a cheesy ghost-hunting talk show and the mother of her own surly teenage daughter Astrid (Jenna Ortega from WEDNESDAY, also a Burton project). When Lydia’s father passes away (in spectacularly silly and horrible fashion, depicted in delightful stop-motion animation), she, Astrid, her artist stepmother Delia (Catherine O’Hara), and her awful TV producer boyfriend Rory (Justin Theroux) head up to Winter River and the Deetzs’ house from the first film for the funeral. The funeral, thanks to Rory’s machinations, soon gives way to a proposed wedding, and in trying to avoid it, a once-skeptical Astrid finds herself ensnared in a trap that may leave her in the afterlife for all eternity without even being dead. With no other good options, Lydia summons skeezy bio-exorcist Betelgeuse (Michael Keaton) to try and rescue her. He’ll gladly help out in exchange for the same thing he wanted last time — Lydia’s hand in marriage.

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Movies Review

REVIEW – Poor Things

Yorgos Lanthimos (THE FAVOURITE)’s latest is an off-kilter FRANKENSTEIN riff (based on a 1992 novel) set in a very Terry Gilliam-esque steampunk Victorian age. Bella Baxter (Emma Stone, brilliantly taking us on quite a journey) is a woman reanimated as part of a twisted experiment by dangerously curious scar-faced surgeon Godwin Baxter (Willem Dafoe playing even-tempered and analytical). When we, alongside Godwin’s eager student Max McCandles (Ramy Youssef), first meet Bella she has the mind of a toddling child, but her knowledge and curiosity grow quickly; her desires both intellectual and, uhh, *otherwise* (there’s quite a bit of R-rated sex in this flick) drive her to flee from Godwin & Max into the arms of Duncan Wedderburn (Mark Ruffalo, doing QUITE the plummy accent), a ridiculous debauched cad who she has an awfully good time seeing the world with until she outgrows him and he starts aggressively trying to keep her in the “box” he thinks she should fit into. Her inexperience leads her to both challenge society’s goofy norms and trip up in ways that a more cynical mind would avoid — but she and the ethos of the tale clearly don’t have a lot of use for cynicism. A charmingly rambling, beautifully crafted experience of a film with standout performances that well deserve the award nominations received. That said, I generally have a soft spot for the genre of “woman escapes the control/narrow expectations of the men who made her,” so your mileage may vary.

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Movies Review

REVIEW – The Unbearable Weight of Massive Talent / The Northman

Well THERE’S a tonally disparate double-feature — a comedic action riff on a beloved actor’s eccentric public persona followed by a meticulously researched and exceedingly UN-comedic riff on the story underlying one of the most famous tragic plays of all time.