Categories
Movies Review

REVIEW – Transformers One

Oh, like I *wasn’t* going to see this — and given how the trailers didn’t really impress me, and the early buzz left me skeptical (yes, even the strong praise from fellow Transformers fans), I was pleasantly surprised. The first domestically-released animated TRANSFORMERS movie since the original 1986 film, Josh Cooley’s TRANSFORMERS ONE winds the clock all the way back to the days before the Autobot-Decepticon war, where young Orion Pax (Chris Hemsworth) and D-16 (Brian Tyree Henry) are non-transforming miner-bots extracting Energon from the depths of Cybertron. Pax is an eager dreamer, and D-16 the “oh boy, what are we getting ourselves into THIS time” best bud who always gets dragged along for the ride. A series of hare-brained plans going wrong, right, and then wrong again get the pair, along with a slightly loopy little yellow bot named B-127 (Keegan Michael Key) and their former mining crew chief Elita-1 (Scarlett Johansson), stranded on the dangerous surface of Cybertron, in search of the lost Matrix of Leadership that will restore their world — scarred by a long war with the alien Quintessons — to its former glory. The quest leads them, however, to uncomfortable truths: about the war, about current Cybertronian leadership in the person of Sentinel Prime (Jon Hamm), and about what has been stolen from their entire generation. The two friends’ very different ways of processing and reacting to these truths will reshape the planet’s future — and turn Pax into the legendary inspiring beacon of hope Optimus Prime, and D-16 into the cruel, malevolent Emperor of Destruction Megatron.

Categories
Movies Review

REVIEW – Bullet Train

David Leitch (ATOMIC BLONDE, DEADPOOL 2)’s Guy Ritchie-esque film version of Kotaro Isaka’s novel of mercs & assassins riding the Shinkansen is a perfectly diverting time at the cinema, though a bit slow-going at the outset. Having thought the trailer, which covers Brad Pitt‘s bad-luck assassin who doesn’t want to kill anymore taking a mission to hop on a train outta Tokyo and snatch a silver suitcase, looked like a lot of fun I wasn’t prepared for quite so much setup; the film opens with Andrew Koji‘s Yuichi Kimura hovering over his son’s hospital bed, then taking off in search of revenge on whoever pushed him off a roof. The culprit is the Prince (Joey King), a vicious master manipulator hiding behind an oh-so-innocent-girl act, who wants to use Yuichi against a terrifying Russian criminal who swooped into Japan and seized the Yakuza. Also aboard the train: the double-act of Tangerine & Lemon (Aaron Taylor-Johnson & Brian Tyree Henry), whose banter makes them probably the most fun characters to spend time with aboard the train. The action’s damn good (Leitch co-directed the first JOHN WICK, and the tremendous dragged-out staircase fight in ATOMIC BLONDE is one of THE points in its favor) and Pitt’s character’s loopy reluctant fighter/fortune cookie aphorisms schtick is charming enough, but the characters with the real stakes are never really presented as compelling, and past a certain point the film seems to be working a bit too conspicuously hard to center so many non-Japanese in a flick set in Japan. Entertaining enough, but maybe wait ’til it’s streaming somewhere? (More polished and fun, to be sure, than similar stuff made FOR streaming; I’d say it’s more worth your time than, oh, Netflix’s Gosling-Evans face-off THE GRAY MAN.)